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Blackmagic URSA Broadcast

SKU: BMD CINEURSAMWC4K

URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built in ND filters, non stop 12-bit recording of ProRes and DNx files to dual SD UHS-IIor CFast cards, and new extended video range for stunning broadcast ready shots that can go straight to air. URSA Broadcast is two cameras in one. Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built in color corrector!

  • 4K CMOS Sensor
  • Compatible with 2/3" B4 Lenses
  • UHD 4K and 1080p up to 60 fps
  • Records to Apple ProRes and Avid DNx
  • Cinema DNG Raw Recording
  • 2 x UHS-II SD, 2 x CFast 2.0 Slots
  • 3G-SDI and 12G-SDI Outputs
  • Genlock and Timecode
  • XLR Inputs and Built-In Microphone
Normally ships in 5 to 10 days.
One year warranty included!
PAYMENT OPTIONS
Price 2.955,84 € is valid for payments via proforma invoice with advance payment via bank transfer. For payments with credit card there is a 2% transaction fee (price of this product when paid with credit card is 3.014,96 €).

Description

The Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. The sensor itself features UHD 4K resolution which can facilitate native UHD recording, or downscaled HD recording for productions that don't require the extra resolution. Video can be recorded to UHS-II SD cards or CFast 2.0 cards, with the latter capable of recording raw Cinema DNG files for further flexibility in post-production.

Features:

  • 4K sensor, extended video dynamic range, traditional external controls and buttons, built in optical ND filters, dual CFast and dual SD card recorders
  • Advanced HD and Ultra HD broadcast camera with ⅔” B4 mount
  • New extended video mode with better dynamic range and colour fidelity producing images with amazing texture and detail, accurate skin tones, vibrant colour and high dynamic range
  • Full electronic B4 lens control support for adjusting focus, iris and zoom using the camera’s controls, or remotely from an ATEM switcher or ATEM Camera Control Panel
  • Built in dual SD/UHS-II and C-Fast card recorders allow unlimited duration recording in high quality
  • Records 1080i or 2160p video into standard .mov files using DNx145, DNx220X or ProRes for compatibility with existing broadcast systems and workflows. Standard .mxf will be added in future updates
  • Support for DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1
  • High quality clear, 1/4, 1/16th and 1/64th stop neutral density (ND) filters with IR compensation designed to specifically match the colourimetry and colour science of URSA Broadcast
  • Fully redundant controls including external broadcast controls which allow direct access to the most important camera settings such as external power switch, ND filter wheel, ISO, shutter, white balance, record button, audio gain controls, lens and transport control, high frame rate button and more
  • Interchangeable lens mount with B4 mount included as standard. Optional EF, PL and F mount available separately
  • Status display for quickly checking timecode, shutter and lens settings, battery, recording status, and audio levels
  • Features all standard connections, including dual XLR mic/line audio inputs with phantom power, 12G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, headphone jack, LANC remote control and standard 4 pin 12V DC power connection
  • Built in high quality stereo microphones for recording sound
  • 4 inch foldout touchscreen for on-set monitoring and menu settings
  • Blackmagic SDI Control Protocol for external control or iPad control via Bluetooth®, 2 x 2.5mm LANC for lens and record control

The camera really comes into its own when combined with the separately available URSA Mini Shoulder Kit and EVF. VCT-14 compatibility plus the ability to go shoulder-mounted when you need to is an important aspect of this camera. When shoulder-mounted, a connected B4 lens's grip and the EVF form points of contact for comfortable and stable shooting. Additionally, a 20-pin lens communication port allows for the URSA Broadcast to communicate with B4 lens servos.

The body itself is designed to be intuitive, with buttons and switches intelligently placed for muscle memory and on-the-fly adjustments. ISO/gain, shutter speed, and white balance are all available on classic toggle switches, while a traditional ND filter wheel lets you reduce the light hitting the sensor for full control over your image. Connections for audio in, video out, plus timecode/genlock input are available on industry-standard connectors, enabling them to interface with professional gear right out of the box.

When you're not in the thick of a shooting day, open the LCD display to access the deeper camera menus and adjust global settings. While standard REC. 709 color is available for broadcast compatibility, extended video mode offers an optional look that has high contrast, yet takes advantage of the 12-stop dynamic range present in the sensor for smoother highlights without the washed-out look common in picture profiles with high dynamic ranges.

If you're setting up the URSA Broadcast for live studio production, separately available fiber converters and studio viewfinders are available. The fiber converter provides all the studio connectivity over a single fiber optic cable, with further adjustments and connections available on the converter itself. Even if your studio produces HD content, the URSA Broadcast only needs to be the first step towards a UHD workflow. When the rest of your studio is UHD-compatible, the URSA Broadcast will be ready for your next UHD production.

Two Cameras in One
The URSA Broadcast was designed to function equally well as a studio camera, or as an ENG/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sled or be used atop an operator's shoulder, ENG-style.

Standard Media and Formats
Media recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing. You can even record lossless or compressed 12-bit CinemaDNG raw files for high-quality programming and post-production workflows. With dual slots for each media type, URSA Broadcast gives you the option for redundant or relay recording. When the first card is full, recording automatically continues onto the next card, so you can swap one card while continuing recording on the other.

B4 Lens Compatibility
While the 4K sensor used in the URSA Broadcast is larger than the familiar 2/3"-type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don't need to change lenses or refocus between close-up, medium, and wide shots, which is perfect when you're following the action in fast-paced scenarios.

HD Downscaling
For productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled prior to recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artifacts will be introduced.

Optical ND Filters
Spin the ND filter wheel to access 1/4, 1/6, and 1/64 ND filters. These filters are designed in accordance with the URSA Broadcast's sensor, ensuring minimal difference in colorimetry. The filters also block IR wavelengths to prevent IR pollution when reducing visible light with NDs. ND filter values can be displayed as either a fraction, ND value, or stop reduction on the LCD or in the separately available EVF.

Body Design
Like traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4" foldout touchscreen for either monitoring or controlling the camera via software interface that provides full redundancy for all the external controls and camera functions. On the operator's side of the camera, a dedicated backlit LCD shows essential information, such as current shooting frame rate, shutter angle, aperture, white balance, gain, iris, battery level, and audio meters, at a glance. Additionally, full-sized standard connections for audio via XLR connectors, SDI via BNC connectors, and broadcast power input via a standard 4-pin XLR 12V DC connector are available.

Slow Motion Recording
Whether you're shooting a sporting event or breaking news story, the URSA Broadcast has you covered for slow motion. To shoot slow motion video, the camera records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high-speed frame rate using the camera's on-screen menus, and then switch between standard sync speed and off-speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full-resolution Ultra HD at up to 60 frames per second.

Built-In Audio Recording
URSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don't have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder-mounted.

Adaptable for Different Lenses
URSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you're just starting out you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you're ready. Using an EF, PL, or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked-off positions on set, so you don't tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF, and F mounts separately as needed.

Blackmagic OS
URSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work. You can set up the camera, enter metadata, and more. Plus, the software duplicates all the physical buttons and switches on the camera so you get full redundancy. The unique heads-up display puts commonly used functions at your fingertips so you can tap on a control and quickly adjust without having to navigate through complex menus. The digital slate makes entering metadata fast with its built-in dictionary, predictive text entry, and on-screen keyboard.

Flexible Power Options
Right off the bat, the URSA Broadcast features a 4-pin XLR industry-standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it's easy to use the camera with existing power supplies and batteries. V-mount and Gold mount battery plates are available separately for compatibility with a wide array of batteries from different manufacturers.

Included in the box

  • URSA Broadcast body
  • Turret dust cap
  • B4 lens mount
  • Power supply
  • SD card with software and manual

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One year warranty included!
FieldCast SMPTE cable PUW-FUW 100m on drum

FieldCast SMPTE cable PUW-FUW 100m on drum

This SMPTE cable is a hybrid cable used in professional broadcast environments. Ideal use between the Blackmagic Design Camera Fiber Converter to their Studio Fiber Converter.

Available in 100m, 150m, and 200m with or without drum. For shorter lengths, a 30m SMPTE 311M/304 cable is also available.

  • SMPTE 311M cable with SMPTE 304 connectors
  • 2Core single mode fiber strands
  • 6 copper wires (4x power and 2x data)
  • Lemo PUW-FUW connectors
  • Connectors are protected with gaiters
  • Original Belden 7804EPU cable with PUR jackets, for studio and field
  • Available in 100m, 150m, and 200m with or without drum
  • GT380 drum for 100m and GT450 for 150m and 200m
Normally ships in 10 to 14 days.
One year warranty included!
FieldCast SMPTE cable PUW-FUW 150m on drum

FieldCast SMPTE cable PUW-FUW 150m on drum

This SMPTE cable is a hybrid cable used in professional broadcast environments. Ideal use between the Blackmagic Design Camera Fiber Converter to their Studio Fiber Converter.

Available in 100m, 150m, and 200m with or without drum. For shorter lengths, a 30m SMPTE 311M/304 cable is also available.

  • SMPTE 311M cable with SMPTE 304 connectors
  • 2Core single mode fiber strands
  • 6 copper wires (4x power and 2x data)
  • Lemo PUW-FUW connectors
  • Connectors are protected with gaiters
  • Original Belden 7804EPU cable with PUR jackets, for studio and field
  • Available in 100m, 150m, and 200m with or without drum
  • GT380 drum for 100m and GT450 for 150m and 200m
Normally ships in 10 to 14 days.
One year warranty included!
FieldCast SMPTE cable PUW-FUW 200m on drum

FieldCast SMPTE cable PUW-FUW 200m on drum

This SMPTE cable is a hybrid cable used in professional broadcast environments. Ideal use between the Blackmagic Design Camera Fiber Converter to their Studio Fiber Converter.

Available in 100m, 150m, and 200m with or without drum. For shorter lengths, a 30m SMPTE 311M/304 cable is also available.

  • SMPTE 311M cable with SMPTE 304 connectors
  • 2Core single mode fiber strands
  • 6 copper wires (4x power and 2x data)
  • Lemo PUW-FUW connectors
  • Connectors are protected with gaiters
  • Original Belden 7804EPU cable with PUR jackets, for studio and field
  • Available in 100m, 150m, and 200m with or without drum
  • GT380 drum for 100m and GT450 for 150m and 200m
Normally ships in 10 to 14 days.
One year warranty included!

This product is also available in the following bundles:

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SKU: BMD CINEURSAMUPRO46K

Compact digital film camera with 4.6K sensor, 15 stops of dynamic range, full tactile controls, optical ND filters, interchangeable lens mount and dual C-Fast 2.0 and dual UHS-II SD card recorders.

  • 4.6K Super-35mm CMOS Sensor
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Normally ships in 5 to 10 days.
One year warranty included!

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