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URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C
expansion port for recording directly to external disks. In addition, URSA Mini Pro 4.6K G2 features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more!
URSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing
images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image
quality that’s far superior to broadcast cameras costing ten times more.
Digital Film Quality for Every Project - The perfect camera for digital film, broadcast, live production and more.
URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide colour gamut and
Blackmagic Design Generation 4 colour science give you incredibly accurate skin tones andstunning, lifelike colour so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you’re on set, onlocation or shooting run and gun, URSA Mini Pro has theimage quality and features you need to work on any typeof project.
Three Incredible Models - Choose URSA Mini 4K, URSA Mini 4.6K or URSA Mini Pro 4.6K G2
The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. URSA Mini Pro 4.6K G2 adds built in ND filters, an interchangeable lens mount, dual CFast and UHS-II SD card recorders, and a massive set of broadcast features and external controls. URSA Mini Pro 4.6K G2 is the ultimate high end digital film camera
with second generation electronics, a high frame rate image sensor, and a USB-C for recording directly to external drives.
Revolutionary URSA Design - Big camera features that are fast to use in a lightweight, portable design.
URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There’s an external high visibility backlit LCD status
display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder.
Built in ND Filters - High quality neutral density filters with IR compensation.
URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colourimetry and colour science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of
situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.
Familiar Broadcast Control - Quickly change settings without taking the camera off your shoulder.
Like the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.
Interchangeable Lens Mounts - Compatible with EF, PL, B4 and F mount lenses.
Different projects require different lenses, whichiswhy URSA Mini Pro models feature an interchangeable lensmount. Imagine shooting regular work using a photography lens but then being able to change to aPLmount cinema lens ifyou get a high end film job. URSA Mini Pro makesthat easy because you can quickly switch betweenEF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic
lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera. URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, yougeta single camera that works with virtually all professional lenses so you can choose precisely the lens you need.
Backlit Status Display - See critical shooting information in bright daylight.
The status display is a high visibility backlit LCD screen that’s designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. Italso features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when
you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.
Cinematic 4.6K Sensor - Capture incredible digital film images with 15 stops of dynamic range.
When it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K. The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro models perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low
noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better colour fidelity. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget.
Advanced Colourimetry - Super wide colour gamut and precision colour science.
URSA Mini Pro models feature an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space. Blackmagic Design Generation 4 colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA
Mini Pro’s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images.
High Frame Rate Recording - Capture the action at up to 300 frames per second.
URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular
frame rate shooting. When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more.
Non Stop Recording - Works with both CFast and SD card media.
URSA Mini Pro models feature both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media
type, insert the cards and start shooting. With dual slots for each media type, you never haveto stop recording because when the first card is full, itautomatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording.
Blackmagic URSA Mini SSD Recorder - Record onto 2.5 inch SSD media.
The optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini orURSA Mini Pro cameras. That means you can use commonly available and inexpensive high capacity solid state media. Unlike other types of cards, SSD media is super fast so you can record fullresolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus,SSD media comes in much larger sizes so you can record longer without having to change cards. The unique
design of the Blackmagic URSA Mini SSD Recorder allows itto attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don’t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera.
Expansion Port - High speed USB-C connection for direct external recording.
URSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing
and post production.
Built in Monitoring Fold out touch screen for monitoring and camera control.
The built in 4 inch fold out touchscreen on URSA Mini Pro models and the 5 inch fold out touchscreen on URSA Mini 4K and 4.6K are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set. The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers. The fold out
touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more.
Advanced URSA Mini Software - Incredibly fast software with revolutionary new user interface.
All URSA Mini cameras feature a new user interfacethat revolutionizes the way you work. The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with aunique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen iconto make changes for things such as audio levels, whitebalance, shutter angle and more. You’ll instantly see
sliders and controls formaking adjustments without ever having to navigate through any menus. The new digital slate makes entering metadata faster than ever before witha built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster.
Bluetooth® Camera Control - New API lets you create remote camera control apps.
All URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digitalslate applications, remote colour correction software and more. The possibilities are endless and this technology will enable entirely new workflows that were
never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time.
Highly Customizable - Flexible enough to be rigged for any production
Blackmagic URSA Mini cameras are completely customizable so you can create a rig that’s built specifically for your production. You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod aswell as add accessories such as
rails, sliders, matteboxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need.
High Resolution Viewfinder - Full HD display and glass optics makes precise focus easy
The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. TheBlackmagic URSA Viewfinder is adjustable so it can be used on both
the left or the right eye. There’s even a built in record light.
Blackmagic URSA Studio Viewfinder - Turn URSA Mini into a true professional studio camera.
The URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action. Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live
production camera. You get support for talkback, tally, and program return, along with remote control of focus, iris,colour balance and more, all from your ATEM Switcher.
Professional Connections - Full size, durable connections that work with standard cables
Blackmagic URSA Mini Pro models feature multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The12G‑SDI output handles all formats up
to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format.
Advanced 12G‑SDI - Work with all formats up to 2160p60 over a single cable.
12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable. The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on
set monitors, decksand more.
Professional Audio - Built in production quality sound recording
URSA Mini Pro models have a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment. Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly
adjust levels using the external knobs and monitor audio using the onscreen audio meters.
Digital Slate - Embedded metadata, store location, camera orientation, scene details and more.
The built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, searchand find the clips you need so you can spend more time on creative editing and less time managing mountains of media.
Flexible Power - Compatible with industry standard batteries and power
URSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it’s easy to use thecamera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera soyou can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock
Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.
Includes DaVinci Resolve Studio - Professional editing, visual effects, colour correction and audio post.
All URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re
working on major Hollywood feature films, episodic television productions, musicvideos, commercials or even the latest YouTube shoot,DaVinci Resolve Studio gives you a completelylossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.
Optional Shoulder Mount Kit - From tripod to shoulder and back in seconds
URSA Mini cameras include multiple ¼ inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. Thiskit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle
for carrying the camera and attaching accessories.
> Blackmagic URSA Mini Pro G2 Technical Specifications.pdf
> Official product page on blackmagicdesign.com
Please note that the new Blackmagic URSA Mini Pro 4.6K G2 does NOT come bundled with the Handgrip or LANC cable, as with previous cameras. These are now optional items which, if required, will need to be ordered separately. Contact us for ordering these additional items:
The Blackmagic URSA Mini Pro EF Mount lets you choose from an incredible selection of high quality photographic lenses from manufacturers like Zeiss, Canon, Sigma and more. Because EF lenses are used on high resolution DSLR cameras they have incredibly precise optics that can handle the high resolution of the URSA Mini Pro’s 4.6K sensor.
The Blackmagic URSA Mini Pro PL Mount lets you use the world’s highest quality professional cinema lenses with your URSA Min Pro camera. The PL lens mount features contact pins for compatibility with Cooke’s i/Technology protocol so information such as lens make and model, serial number, iris setting, focus distance and zoom position can be saved as metadata and used in software like DaVinci Resolve. In addition, you can also power and control broadcast style cine-servo zoom lenses using the
camera’s 12-pin Hirose connector.
Turn your URSA Mini Pro into an incredibly compact broadcast camera that you can use with your existing high definition B4 broadcast lenses! URSA Mini Pro features a standard 12-pin Hirose lens control connection that’s compatible with both B4 and PL lenses. You can remotely control record start/stop, iris and motorized zoom lenses!
Set of 9 shims and baffle tool for making precise changes to the the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.
Be ready to shoot anywhere! Kit includes
VLock compatible battery plate for attaching third party batteries to URSA cameras.
The CN-E 85mm T1.3 L F is a short telephoto prime lens designed for EF mounts Robust, compact and weighing only 1.1kg it offers spectacular 4k image quality, a natural angle of view and perspective and is ideal for low light shooting and shallow depth of field.
From the Canon series of prime lenses, the CN-E 50mm T1.3 L F is a lightweight (1.3kg), compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.
Canon CN-E EF mount cinema lens bundle including 24, 50, and 85mm 4K digital cinema lenses.
Next level write speeds help you keep up with the new generation of professional cameras and camcorders, while data transfer speeds of up to 525MB/s make your post-production workflow more efficient.
The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards! Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can
convert between formats as well as embed or de-embed audio all on the one converter.
Mini Converter Audio to SDI 4K includes everything you need to embed 4 channels of analog audio or 8 channels of AES/EBU digital audio into any SDI video connection. Now you can embed professional audio from devices such as audio mixers and analog decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters.
Mini Converter SDI to Audio 4K includes everything you need to de-embed 4 channels of analog audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can access the audio in any SDI video connection for output to a massive range of audio equipment such as audio mixers, analog broadcast decks, audio monitors and more.
The ultimate digital cinema capture card featuring two full frame DCI 4K inputs and outputs via 12G-SDI! You get dual link multi rate 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 25p! Capture 10-bit YUV or full color bandwidth 12-bit RGB. Includes AES/EBU audio, up, down and cross conversion, plus built in 3D stereoscopic output at full bandwidth 4:4:4:4 RGB!
Snap-on an Anton Bauer battery and you're ready to go with this compact, full featured broadcast broadcast HD monitor. With its mercury-free LED backlight, you're assured the highest quality images and robust performance in the harshest environments. Housed in a durable metal cabinet, it's perfect for field production, and use as a camera viewfinder.
The advanced ATEM 1 M/E Production Studio 4K model switches between SD, HD or Ultra HD video standards so you can connect a wide range of video sources such as cameras, disk recorders and computers. Featuring 10 inputs, chroma keys, transitions, media pool, 4 upstream keyers, downstream keyers, audio mixer, multi view, full motion DVE, stinger transitions, large media pool with full motion clips and 3 auxiliary outputs!
ATEM Production Studio 4K lets you connect up to 8 SD, HD or Ultra HD 4K video cameras, disk recorders and computers to do true broadcast quality work. You get all the features you expect from a professional switcher including chroma key, transitions, media pool, downstream keyers, audio mixer, multi view and the world's first 6G-SDI and HDMI 4K video connections.
Introducing the exciting new Smart Videohub, the world’s first Ultra HD mixed format routers with built in video monitoring and spin knob router control.
Blackmagic Design HyperDeck Studio Mini is a miniaturized professional deck that records and plays back broadcast quality 10-bit video using commonly available SD and UHS-II cards. HyperDeck Studio Mini features 6G-SDI for working with all SD, HD and Ultra HD formats up to 2160p30.
The Hyperdeck Studio - it's like a VTR, but quite simply it's just better. It's as reliable as a tape deck but gives you infinite recording, uncompressed recording, ProRes encoding or DNxHD recording. It's got everything a tapeless workflow needs for remote and local control and fits straight into any facility.
Professional mini (150 mm) shotgun microphone with hard wired 3-pin XLR output cable.
Blackmagic URSA Mini Recorder lets you record Blackmagic RAW files onto 2.5 inch NVMe based 7mm U.2 SSD’s or standard 2.5 inch SSD Media with your URSA Mini Pro 12K! That means you can use commonly available and inexpensive high capacity solid state media! The NVMe based SSD media can record full resolution 12K, 8K and 4K 12‑bit RAW files plus it comes in much larger sizes so you can record longer without having to change disks!
Handgrip combi rail bracket, for use on 15 mm LWS, 15 mm studio and 19 mm rail support systems. Both sides of the combi rail bracket are equiped with standard rosettes, for mounting handgrips, handgrip extenders or other standard rosette accessories.
The MB-455 matte box is designed for any EFP/HD/Film production, for use with lenses up to a front diameter of 143 mm. Two fully rotatable 5,65’’x5,65’’ filter frames and a fixed 4’’x5,65’’ tray are integrated in the rear compartiment of the matte box. Optionally, in the front unit of the hood, either a matte, a fourth filter frame (4’’x5,65’’) or a patented tilted filter unit (0410-0015) can be added.
Lanparte High precision AB hard stop Follow Focus with quick release clamp for 15mm rod film industry standard.
FCR-15 Advanced kit consisting of the flexible camera rig FCR-15 (0350-3000), the FCR-15 top handle (0350-3010) and the leather handgrip kit (0390-0002). The Advanced kit is compatible with a wide variety of cameras and is recommended for cameras without a proper tophandle and to which a third party viewfinder or LCD needs to be mounted.
FCR-15 Pro kit consisting of the flexible camera rig FCR-15 (0350-3000), the FCR-15 top handle (0350-3010), the FCR-15 rear rails bracket (0350-3020), the 1 kg weight for 15 mm rails (0370-0220) and the leather handgrip kit (0390-0002). The Pro kit is compatible with a wide variety of cameras and is recommended for heavier setups which need a proper counterweight on the back of the rig and for shooting in an offset position.
Blackmagic URSA Broadcast Camera is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator.
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