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Blackmagic Design's new URSA Mini Pro 4.6K professional camera combines high end digital film quality with the ergonomics and features of a traditional broadcast camera. URSA Mini Pro features a massive number of tactile control buttons, switches and dials that make it faster to use, built in optical ND filters, a new interchangeable lens mount, dual CFAST 2.0 and dual SD/UHS-II card recorders, and much more.
The new URSA Mini Pro combines the best digital film technology with the most advanced broadcast features and ergonomics available, making it perfect for use in high end feature films, television shows, commercials, and indie films as well as broadcast news, studio and even live multi camera production.
URSA Mini Pro is designed to be the toughest and most fully featured camera available. It includes everything customers need in a compact handheld magnesium alloy body that’s durable and light enough to use anywhere. There’s an external high visibility LCD status display for viewing critical shooting information, a foldout touch screen for reviewing shots without needing an extra on-set monitor, professional connections such as 12G-SDI, XLR audio, built in high quality stereo microphones and
more. Plus, every single control on the camera is redundant, including the power, so if anything should go wrong in the field, the camera can still be used.
Super 35 mm sensor 4,6K
When it comes to image quality, URSA Mini Pro features a custom 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range and a super wide color gamut. Third generation Blackmagic Design color science is used to process the raw sensor data, enabling amazingly rich skin tones, natural color response and an enormous amount of dynamic range. URSA Mini Pro is ideal for everything from standard rec. 709 broadcast HD to the latest rec. 2020 high dynamic range
digital film production.
Integrated ND filters
URSA Mini Pro features neutral density (ND) filters with IR compensation for quickly reducing the amount of light that enters the camera. The 2, 4 and 6 stop filters are specifically designed to match the colorimetry of the camera and provide additional latitude, even under harsh lighting conditions. That means customers can use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR
filters evenly compensate for both far red and infrared wave lengths to eliminate IR contamination. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned.
The controls on the camera body
The broadcast camera ergonomics of URSA Mini Pro put powerful tactile control buttons, switches, knobs and dials on the outside of the camera, giving customers direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so cinematographers can operate the camera without having to look at the buttons, hunt through menus, or take their eye off of the action. URSA Mini Pro also features a high visibility status screen that
displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight.
URSA Mini Pro has a revolutionary new interchangeable lens mount that makes it compatible with virtually all professional lenses so customers can choose exactly the right lens for the job. Included standard is an EF mount for working with high quality photographic lenses. If the camera is being used on a high end film or commercial shoot that calls for large cinematic lenses, simply remove the EF mount and replace it with the PL mount. There’s even a B4 broadcast lens mount for working with
broadcast HD lenses. URSA Mini Pro also includes a standard 12 pin Hirose lens control connector. URSA Mini Pro comes with an EF mount and customers can purchase the optional PL and B4 lens mounts separately.
C-Fast 2.0 + SD card
Featuring both dual C-Fast 2.0 recorders and dual SD/UHS-II card recorders, customers can choose the media that works best for their projects. C-Fast cards are ideal for full resolution RAW recording, while UHS-II SD cards are inexpensive and commonly available, making them perfect for recording ProRes Ultra HD files or RAW HD files. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, the camera never has to stop recording because when the
first card is full, it automatically continues onto the next card. Full cards can be swapped for empty ones, all without stopping the camera. URSA Mini Pro can record lossless 12-bit CinemaDNG RAW files for the highest possible quality, or 10-bit ProRes files for easy post production workflows with minimum storage requirements.
Blackmagic URSA Mini Pro features multiple connections such as 12G-SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the camera is a 12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The 12G-SDI output handles all formats up to 2160p60
using a single BNC cable, and also switches to 6G-SDI or HD-SDI depending on the shooting format.
The full version of DaVinci Resolve Studio
URSA Mini Pro includes the full DaVinci Resolve Studio software, giving customers a complete post production solution. This powerful software combines professional nonlinear video editing with the world’s most advanced color corrector for importing, editing, color correcting, finishing and delivering projects shot on URSA Mini Pro. DaVinci Resolve Studio works natively with the RAW and ProRes files from the camera, so customers can take them directly into post production without having to
convert or change them. Every single bit of quality is preserved because it is a true lossless workflow. Using DaVinci Resolve Studio is the fastest and highest quality way to work with files from URSA Mini Pro.
Key features of the camera URSA Blackmagic Mini Pro:
Accessories Blackmagic Mini URSA:
The Blackmagic URSA Mini Pro EF Mount lets you choose from an incredible selection of high quality photographic lenses from manufacturers like Zeiss, Canon, Sigma and more. Because EF lenses are used on high resolution DSLR cameras they have incredibly precise optics that can handle the high resolution of the URSA Mini Pro’s 4.6K sensor.
The Blackmagic URSA Mini Pro PL Mount lets you use the world’s highest quality professional cinema lenses with your URSA Min Pro camera. The PL lens mount features contact pins for compatibility with Cooke’s i/Technology protocol so information such as lens make and model, serial number, iris setting, focus distance and zoom position can be saved as metadata and used in software like DaVinci Resolve. In addition, you can also power and control broadcast style cine-servo zoom lenses using the
camera’s 12-pin Hirose connector.
Turn your URSA Mini Pro into an incredibly compact broadcast camera that you can use with your existing high definition B4 broadcast lenses! URSA Mini Pro features a standard 12-pin Hirose lens control connection that’s compatible with both B4 and PL lenses. You can remotely control record start/stop, iris and motorized zoom lenses!
Set of 9 shims and baffle tool for making precise changes to the the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.
Be ready to shoot anywhere! Kit includes
VLock compatible battery plate for attaching third party batteries to URSA cameras.
The CN-E 85mm T1.3 L F is a short telephoto prime lens designed for EF mounts Robust, compact and weighing only 1.1kg it offers spectacular 4k image quality, a natural angle of view and perspective and is ideal for low light shooting and shallow depth of field.
From the Canon series of prime lenses, the CN-E 50mm T1.3 L F is a lightweight (1.3kg), compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.
Canon CN-E EF mount cinema lens bundle including 24, 50, and 85mm 4K digital cinema lenses.
Next level write speeds help you keep up with the new generation of professional cameras and camcorders, while data transfer speeds of up to 525MB/s make your post-production workflow more efficient.
A pair of Cube encoders and decoders is called a Cubelet. Cubelet’s are capable of very low latency (~3-4 frames) and provide an easy to use point-to-point streaming solution. Both units are paired and will automatically connect with one another over an ad-hoc or Wifi network.
The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards! Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can
convert between formats as well as embed or de-embed audio all on the one converter.
Mini Converter Audio to SDI 4K includes everything you need to embed 4 channels of analog audio or 8 channels of AES/EBU digital audio into any SDI video connection. Now you can embed professional audio from devices such as audio mixers and analog decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters.
Mini Converter SDI to Audio 4K includes everything you need to de-embed 4 channels of analog audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can access the audio in any SDI video connection for output to a massive range of audio equipment such as audio mixers, analog broadcast decks, audio monitors and more.
The ultimate digital cinema capture card featuring two full frame DCI 4K inputs and outputs via 12G-SDI! You get dual link multi rate 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 25p! Capture 10-bit YUV or full color bandwidth 12-bit RGB. Includes AES/EBU audio, up, down and cross conversion, plus built in 3D stereoscopic output at full bandwidth 4:4:4:4 RGB!
Snap-on an Anton Bauer battery and you're ready to go with this compact, full featured broadcast broadcast HD monitor. With its mercury-free LED backlight, you're assured the highest quality images and robust performance in the harshest environments. Housed in a durable metal cabinet, it's perfect for field production, and use as a camera viewfinder.
The advanced ATEM 1 M/E Production Studio 4K model switches between SD, HD or Ultra HD video standards so you can connect a wide range of video sources such as cameras, disk recorders and computers. Featuring 10 inputs, chroma keys, transitions, media pool, 4 upstream keyers, downstream keyers, audio mixer, multi view, full motion DVE, stinger transitions, large media pool with full motion clips and 3 auxiliary outputs!
ATEM Production Studio 4K lets you connect up to 8 SD, HD or Ultra HD 4K video cameras, disk recorders and computers to do true broadcast quality work. You get all the features you expect from a professional switcher including chroma key, transitions, media pool, downstream keyers, audio mixer, multi view and the world's first 6G-SDI and HDMI 4K video connections.
Introducing the exciting new Smart Videohub, the world’s first Ultra HD mixed format routers with built in video monitoring and spin knob router control.
Blackmagic Design HyperDeck Studio Mini is a miniaturized professional deck that records and plays back broadcast quality 10-bit video using commonly available SD and UHS-II cards. HyperDeck Studio Mini features 6G-SDI for working with all SD, HD and Ultra HD formats up to 2160p30.
The Hyperdeck Studio - it's like a VTR, but quite simply it's just better. It's as reliable as a tape deck but gives you infinite recording, uncompressed recording, ProRes encoding or DNxHD recording. It's got everything a tapeless workflow needs for remote and local control and fits straight into any facility.
Professional mini (150 mm) shotgun microphone with hard wired 3-pin XLR output cable.
Blackmagic URSA Mini SSD Recorder lets you record Cinema DNG or ProRes files onto standard 2.5” SSD Media with your URSA Mini Pro camera! That means you can use commonly available and inexpensive high capacity solid state media! The SSD media can record full resolution 4K and 4.6K 12-bit RAW files. Plus, SSD media comes in much larger sizes so you can record longer without having to change cards!
Handgrip combi rail bracket, for use on 15 mm LWS, 15 mm studio and 19 mm rail support systems. Both sides of the combi rail bracket are equiped with standard rosettes, for mounting handgrips, handgrip extenders or other standard rosette accessories.
The MB-455 matte box is designed for any EFP/HD/Film production, for use with lenses up to a front diameter of 143 mm. Two fully rotatable 5,65’’x5,65’’ filter frames and a fixed 4’’x5,65’’ tray are integrated in the rear compartiment of the matte box. Optionally, in the front unit of the hood, either a matte, a fourth filter frame (4’’x5,65’’) or a patented tilted filter unit (0410-0015) can be added.
Lanparte High precision AB hard stop Follow Focus with quick release clamp for 15mm rod film industry standard.
FCR-15 Advanced kit consisting of the flexible camera rig FCR-15 (0350-3000), the FCR-15 top handle (0350-3010) and the leather handgrip kit (0390-0002). The Advanced kit is compatible with a wide variety of cameras and is recommended for cameras without a proper tophandle and to which a third party viewfinder or LCD needs to be mounted.
FCR-15 Pro kit consisting of the flexible camera rig FCR-15 (0350-3000), the FCR-15 top handle (0350-3010), the FCR-15 rear rails bracket (0350-3020), the 1 kg weight for 15 mm rails (0370-0220) and the leather handgrip kit (0390-0002). The Pro kit is compatible with a wide variety of cameras and is recommended for heavier setups which need a proper counterweight on the back of the rig and for shooting in an offset position.
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