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* Lens and microphone are not included
5.7K Super 35mm Sensor
The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image.
Dual Native ISO of 800 & 2500
The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as
well as allowing for a great variety of artistic choices.
V-Log / V-Gamut
The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line.
High Frame Rate Recording 4K 60 fps / 2K 240 fps
Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing.
Cinematic Run & Gun
Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting.
Low-Cost Media / SD Card Recording
EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture.
The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers.
E.I.S. & Integrated ND Filters
Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control
As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled
remotely on IOS or Android using the dedicated app.
> Panasonic AU-EVA1 Fact Sheet.pdf
> Panasonic AU-EVA1 Brochure.pdf
The MB-455 matte box is designed for any EFP/HD/Film production, for use with lenses up to a front diameter of 143 mm. Two fully rotatable 5,65’’x5,65’’ filter frames and a fixed 4’’x5,65’’ tray are integrated in the rear compartiment of the matte box. Optionally, in the front unit of the hood, either a matte, a fourth filter frame (4’’x5,65’’) or a patented tilted filter unit (0410-0015) can be added.
The MB-256 kit is a MB-256 matte box system consisting the following products;
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.
FCR-15 Advanced kit consisting of the flexible camera rig FCR-15 (0350-3000), the FCR-15 top handle (0350-3010) and the leather handgrip kit (0390-0002). The Advanced kit is compatible with a wide variety of cameras and is recommended for cameras without a proper tophandle and to which a third party viewfinder or LCD needs to be mounted.
5-inch, 4Kp60 10bit HDR daylight viewable 1000nit portable monitor/recorder.
A wide-angle fixed focus prime lens offering spectacular 4k image quality, the CN-E24mm T 1.5 L F provides a broader perspective to capture grand vistas or small interiors. Designed for an EF mount, it is compact, lightweight (1.2kg) and easy to use; a f/1.5 maximum aperture allows hand-held shooting in low light.
Great in low light with fine creative control over depth of field, the wide-angle CN-E35mm T1.5 L F offers spectacular 4K image quality with full frame image circle in a light, compact EF mount body.
S-8D58 is the replacement battery for Panasonic VW-VBD58 or AG-VBR59, compatible with Panasonic AU-EVA1, AG-DVX200, AJ-PX270/285, etc.
S-8D98 is the replacement battery for Panasonic VW-VBD58 or AG-VBR59, compatible with Panasonic AU-EVA1, AG-DVX200, AJ-PX270/285, etc.
The new Orca OR-21 Backpack was designed to hold small cameras such as Sony PXW-X70, Z-150, Panasonic UX-90, EVA 1, Mini Alexa, URSA mini and similar size cameras. Offers ultimate protection with lots of external pockets to store all kind of accessories.
The Tilta Single-Sided Cinema Follow Focus is compatible with 15mm and 19mm rod systems. It features a whip, a crank, 4 marking discs, 3 gears, and 5 lens rings. 1:1 Ratio.
The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.
Exceptional optical performance for 4K production. Part of Canon’s range of EF Cinema prime lenses, the CN-E135mm T2.2 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.
Alternativne SKU's: AU-EVA1EJ, AUEVA1, AUEVA1EJ
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