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The ATEM Camera Control Panel provides independent controls for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel. You get iris control, shutter speed, white balance, master gain, pedestal, RGB controls for white and black, and more.
The ATEM Camera Control Panel is a compact remote camera control unit designed to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, colour balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects
of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models
Control Four Cameras
One person can control 4 cameras
When working on live multi camera programs, it’s important to make sure all of the cameras are properly balanced and set up correctly so that you get consistent video from every angle. The ATEM Camera Control Panel features 4 camera controllers in one panel. Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel.
Scene and Camera Controls
The top section lets you save and recall scene presets so you can quickly adjust cameras based on changes in the scene such as lighting. This section also includes controls for adjusting master gain, white balancing the camera and changing the camera’s shutter speed.
Gain and Pedestal Controls
The center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green and blue levels in your blacks and whites to compensate for unwanted colour.
Lens and Iris Controls
The bottom section features an LED camera number that indicates preview and on air status, along with a high quality professional joystick that’s used to precisely adjust the iris and master black. It also features a call button for talkback with the operator, along with a panel lock button and indicators for the network, power and cable connection to the camera.
Live Production Workflow
Works seamlessly with ATEM switchers
The ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M/E Broadcast Studio 4K switcher with an ATEM 1 M/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one ATEM device to another.
Fast and Easy Control
With traditional CCU controls, you can work much faster
The ATEM Camera Control is incredibly fast to use as it features traditional broadcast CCU controls so you get the benefit of years of broadcast experience. You can use the knob on the LCD to set the camera number, which turns red when a camera is on the air. The main joystick control can be moved vertically to adjust the camera iris while the knob can then be rotated to change the master black level. Pressing down on the knob will let you monitor the camera you’re currently controlling via
the aux output of the switcher. Simply push the knobs to rapidly switch between cameras to ensure all your cameras match colour. The ATEM Camera Control Panel is fast to set up so you can instantly start controlling the cameras that are connected to your switcher.
> Technical Specifications - Blackmagic ATEM Camera Control Panel.pdf
URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C
expansion port for recording directly to external disks.
Blackmagic URSA Broadcast Camera is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator.
Internal battery has been removed, allowing for a lower retail price and easier shipping! The world’s first 12G-SDI broadcast camera for live Ultra HD production with 10” viewfinder, 12G- SDI, MFT lens mount, support for up to 2160p60, talkback, tally and more.
Internal battery has been removed, allowing for a lower retail price and easier shipping! Advanced broadcast camera for live HD production with 10” viewfinder, MFT lens mount, support for up to 1080p60, talkback, tally and more.
Miniaturized digital film camera for remote use with PWM and S.Bus for use with model airplane remote controls. Includes Super 16 size sensor with 13 stops of dynamic range and RAW and ProRes recorder.
Miniaturized HD and Ultra HD live studio camera that can be remote controlled via SDI.
The incredible ATEM 2 M/E Broadcast Panel has the power for the most complex live broadcast events and it’s perfect when you have the space for a large panel and need all the control at your fingertips. The ATEM 2 M/E Broadcast Panel features an amazing design that not only looks incredible, but perfectly positions all controls just where you need them for the ultimate creativity on complex multi layer live production.
ATEM Television Studio HD is the first production switcher designed for both broadcasters and AV professionals. It includes 4 SDI and 4 HDMI inputs with re-sync on all inputs so you can use it with broadcast or consumer cameras. ATEM Television Studio HD is packed with high end features and is perfect for live production, episodic television programming, web shows, AV or even live coverage of gaming competitions! Simply plug in cameras, game consoles or computers and start
ATEM Television Studio Pro HD is a broadcast quality all in one live production switcher with integrated hardware control panel designed for both broadcast and professional AV users. ATEM Television Studio Pro HD features 8 inputs, multiview, auxiliary and program outputs, analog audio inputs, built in talkback, two flash based media players, professional creative transitions, a DVE for effects and more.
ATEM Production Studio 4K lets you connect up to 8 SD, HD or Ultra HD 4K video cameras, disk recorders and computers to do true broadcast quality work. You get all the features you expect from a professional switcher including chroma key, transitions, media pool, downstream keyers, audio mixer, multi view and the world's first 6G-SDI and HDMI 4K video connections.
The advanced ATEM 1 M/E Production Studio 4K model switches between SD, HD or Ultra HD video standards so you can connect a wide range of video sources such as cameras, disk recorders and computers. Featuring 10 inputs, chroma keys, transitions, media pool, 4 upstream keyers, downstream keyers, audio mixer, multi view, full motion DVE, stinger transitions, large media pool with full motion clips and 3 auxiliary outputs!
Get the UltraHD PPU Bundle containing ATEM 1 M/E Production Studio 4K switcher, HyperDeck Studio 12G recorder, and Blackmagic Audio Monitor.
Gear up for Ultra HD production with industry-proven Blackmagic Design technology.
The new ATEM 2 M/E Production Studio 4K lets you produce broadcast quality live multi camera production in SD, HD or amazing Ultra HD! Featuring 20 inputs with built in re-synchronizers so you can connect the widest range of video sources such as cameras, disk recorders and computers for incredible live music, sport and more!
Advanced technology high frame rate Ultra HD live production switcher includes 20 x 12G-SDI re-synchronized inputs for all formats from 720p, 1080i, 1080p up to 2160p60. Includes large media memory, 4 media players, 2 Ultra HD resolution multi viewers, DVE, SuperSource, 6 keyers, audio mixer, 6 aux outputs, built in camera control and included software control panel.
High performance live production switcher designed to work with the latest formats and high frame rates, all the way up to Ultra HD 2160p59.94! You get 16 next generation ATEM Advanced Chroma Keyers with 4 per M/E, perfect for advanced work and virtual sets. As the most advanced ATEM switcher, this model also includes the latest technology and features such as 2 Ultra HD multi viewers, full 2D DVE, built in SuperSource compositing engine with 4 picture in picture DVEs, full
re-synchronization on each 12G-SDI input and much more!
The new ATEM 1 M/E Advanced Panel is an elegantly designed professional hardware control panel for all ATEM switchers. It combines modern design with the latest broadcast technology for faster workflows. The compact size and durable design of the ATEM 1 M/E Advanced Panel fits in a standard equipment rack, making it perfect for shelf mounting in broadcast trucks, mobile racks and fly away kits.
Now you can position your cameras a long distance away from your switcher and get closer to the action with ATEM Camera and Studio Converters. ATEM Camera Converter is a super tough optical fiber converter with talkback, tally, microphone inputs and a built in long life battery. Using low cost optical fiber you can connect to your cameras up to 28 miles away and even at those great distances you still get full bi-directional video, audio, talkback and tally signals!
ATEM Studio Converter is the ideal partner for the ATEM Camera Converter. Connect up to four Camera Converters via optical fiber up to 28 miles away with bi-directional video plus tally and talkback! Connect your ATEM switcher program output to the ATEM Studio Converter and this is distributed to the four Camera Converters. Multiple Studio converters can be cascaded together when more than 4 cameras are needed.
ATEM Talkback Converter 4K handles up to 8 cameras for SDI talkback using embedded audio channels 15 and 16 as used on the Blackmagic Studio Cameras and ATEM Camera Converter. Supports 12G-SDI for all SD, HD and Ultra HD formats up to 2160p60 and provides BNC connections to each camera, and an optical fiber socket for adding an optical fiber SFP module for extending camera distances when required.
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With over 20 years of experience we now serve video professionals all over Europe. We stock equipment at competitive pricing from some of the world’s leading manufacturers and have an in-depth knowledge of the current trends and technologies. We’re dedicated to giving you the very best video and broadcast equipment, with a focus on proven products and preconfigured ready-to-start equipment bundles.
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